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CBA 四川金强vs辽宁本钢20240328
- 1节气唱游记-小雪
- 2蓝烟火2000
- 3巧奔妙逃
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- 8梦醒时分
- 9魔镜:致命的前任
- 10生活第一章
- 11没有老公的日子
- 12高达破坏者:对战记录
- 13逃离乌托邦
- 14老师,您能坐在我旁边吗?
- 15红楼梦第二部:黛玉葬花
- 16我是余欢水
- 17激情2005
- 18青春摇滚火花
- 19天下无敌李平冈
- 20七月七日回魂夜
- 21也许你要恋爱了
- 22伙记办大事粤语
- 23天国的阶梯
- 24五根手指
- 25斯诺克 加里·威尔逊6-4侯赛因·瓦菲20240220
- 26爱没有明天
- 27浪漫风暴
- 28再次出发2
- 29李瑞镇的纽约纽约2
- 30伪物语
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Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
…Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.